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of prison walls, coming after such early prison stories as The Last Mile, The Big House The film was not the first movie to deal with the criminal underworld.
1. "Like many early talkies, the film often in fact errs on the slow side, at least in terms of dialogue; but the parallels with Capone, Tony Gaudio’s photography, and LeRoy’s totally unrepentant tone ensure that it remains fascinating."
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