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Feb 07, 2005 12:00 a.m. - Variety.com

Eye on the Oscars: Nominees 2005: The analysis -- For the second straight year, the news in Oscar’s visual f/x race isn’t what’s in, but what’s out. When the nominating process began, "The Day After Tomorrow" was the pick of many effects pros. But like 2003’s "Matrix" sequels, it failed to score a mention, possibly due to personality conflicts and a nasty battle over which shops should get Academy credit.

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Art Direction
Eye on the Oscars: Nominees 2005: The analysis -- The art direction category offers up subtlety and bombast -- sometimes...

Cinematography
Eye on the Oscars: Nominees 2005: The analysis -- Like the lead actor category this year, there was such an embarrassmen...

Editing
Eye on the Oscars: Nominees 2005: The analysis -- The editing category closely mirrors the best picture race, with the e...

Sound Editing
Eye on the Oscars: Nominees 2005: The analysis -- The sound editing category, which evolved out of the sound effects and...

Sound Mixing
Eye on the Oscars: Nominees 2005: The analysis -- Loud is good when it comes to the sound categories, but what sets the...

Costume Design
Eye on the Oscars: Nominees 2005: The analysis -- Biopics dominate Oscar’s costume design nominees, but it looks a...

 

 

 
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